Independent component analysis, a new concept?
Signal Processing - Special issue on higher order statistics
Separation of harmonic sound sources using sinusoidal modeling
ICASSP '00 Proceedings of the Acoustics, Speech, and Signal Processing, 2000. on IEEE International Conference - Volume 02
Multipitch estimation and sound separation by the spectral smoothness principle
ICASSP '01 Proceedings of the Acoustics, Speech, and Signal Processing, 2001. on IEEE International Conference - Volume 05
Note separation of polyphonic music by energy split
ISPRA'08 Proceedings of the 7th WSEAS International Conference on Signal Processing, Robotics and Automation
A generative model for music transcription
IEEE Transactions on Audio, Speech, and Language Processing
Melody Transcription From Music Audio: Approaches and Evaluation
IEEE Transactions on Audio, Speech, and Language Processing
Melody Extraction and Musical Onset Detection via Probabilistic Models of Framewise STFT Peak Data
IEEE Transactions on Audio, Speech, and Language Processing
Automatic Piano Transcription Using Frequency and Time-Domain Information
IEEE Transactions on Audio, Speech, and Language Processing
Unsupervised analysis of polyphonic music by sparse coding
IEEE Transactions on Neural Networks
Activity index variance as an indicator of the number of signal sources
WSEAS Transactions on Signal Processing
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In the past years many approaches have been developed that target the separation of polyphonic music material into independent source signals. Due to lack of information on the original signals it is currently practically impossible to extract the original waveforms from their mixture. Thus all of the approaches target the reconstruction of signals that are at least in some way close to the original. For that purpose common features of harmonic sounds are usually exploited. This paper proposes a system that uses frequency-domain instrument models as prior knowledge for reinserting information needed for the separation. The system provides over 18dB Signal to Distortion Ratio for two simultaneous notes, which slowly degrades as the level of polyphony increases. This makes the approach highly applicable both as a standalone separation tool and the ground of other signal manipulation methods.