Annotea: an open RDF infrastructure for shared Web annotations
Proceedings of the 10th international conference on World Wide Web
The complex dynamics of collaborative tagging
Proceedings of the 16th international conference on World Wide Web
LabelMe: A Database and Web-Based Tool for Image Annotation
International Journal of Computer Vision
Annotating Relationships Between Multiple Mixed-Media Digital Objects by Extending Annotea
ESWC '07 Proceedings of the 4th European conference on The Semantic Web: Research and Applications
Metadata-driven interactive web video assembly
Multimedia Tools and Applications
Media Meets Semantic Web --- How the BBC Uses DBpedia and Linked Data to Make Connections
ESWC 2009 Heraklion Proceedings of the 6th European Semantic Web Conference on The Semantic Web: Research and Applications
Exploiting Linked Data to Build Web Applications
IEEE Internet Computing
Interlinking Music-Related Data on the Web
IEEE MultiMedia
DBpedia - A crystallization point for the Web of Data
Web Semantics: Science, Services and Agents on the World Wide Web
M-OntoMat-Annotizer: image annotation linking ontologies and multimedia low-level features
KES'06 Proceedings of the 10th international conference on Knowledge-Based Intelligent Information and Engineering Systems - Volume Part III
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Music and sound have a rich semantic structure which is so clear to the composer and the listener, but that remains mostly hidden to computing machinery. Nevertheless, in recent years, the introduction of software tools for music production have enabled new opportunities for migrating this knowledge from humans to machines. A new generation of these tools may exploit sound samples and semantic information coupling for the creation not only of a musical, but also of a "semantic" composition. In this paper we describe an ontology driven content annotation framework for a web-based audio editing tool. In a supervised approach, during the editing process, the graphical web interface allows the user to annotate any part of the composition with concepts from publicly available ontologies. As a test case, we developed a collaborative web-based audio sequencer that provides users with the functionality to remix the audio samples from the Freesound website and subsequently annotate them. The annotation tool can load any ontology and thus gives users the opportunity to augment the work with annotations on the structure of the composition, the musical materials, and the creator's reasoning and intentions. We believe this approach will provide several novel ways to make not only the final audio product, but also the creative process, first class citizens of the Semantic Web.