IEICE Transactions on Fundamentals of Electronics, Communications and Computer Sciences
Empirical methods to determine the number of sources in single-channel musical signals
IEEE Transactions on Audio, Speech, and Language Processing
Source/filter model for unsupervised main melody extraction from polyphonic audio signals
IEEE Transactions on Audio, Speech, and Language Processing
Non-negative hidden Markov modeling of audio with application to source separation
LVA/ICA'10 Proceedings of the 9th international conference on Latent variable analysis and signal separation
LVA/ICA'10 Proceedings of the 9th international conference on Latent variable analysis and signal separation
Informed source separation using latent components
LVA/ICA'10 Proceedings of the 9th international conference on Latent variable analysis and signal separation
Correlation-based amplitude estimation of coincident partials in monaural musical signals
EURASIP Journal on Audio, Speech, and Music Processing
Single-Channel Source Separation of Audio Signals Using Bark Scale Wavelet Packet Decomposition
Journal of Signal Processing Systems
Informed source separation through spectrogram coding and data embedding
Signal Processing
Low-Latency instrument separation in polyphonic audio using timbre models
LVA/ICA'12 Proceedings of the 10th international conference on Latent Variable Analysis and Signal Separation
Musical audio source separation based on user-selected f0 track
LVA/ICA'12 Proceedings of the 10th international conference on Latent Variable Analysis and Signal Separation
Digital Signal Processing
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In this paper, we address the problem of audio source separation with one single sensor, using a statistical model of the sources. The approach is based on a learning step from samples of each source separately, during which we train Gaussian scaled mixture models (GSMM). During the separation step, we derive maximum a posteriori (MAP) and/or posterior mean (PM) estimates of the sources, given the observed audio mixture (Bayesian framework). From the experimental point of view, we test and evaluate the method on real audio examples.