Analogical modification in the creation of contemporary art

  • Authors:

  • Takeshi Okada;Sawako Yokochi;Kentaro Ishibashi;Kazuhiro Ueda

  • Affiliations:

  • Interfaculty Initiative in Information Studies, The University of Tokyo, 7-3-1, Hongo, Bunkyo-ku, Tokyo 113-0033, Japan and Graduate School of Education, The University of Tokyo, 7-3-1, Hongo, Bun ...;Interfaculty Initiative in Information Studies, The University of Tokyo, 7-3-1, Hongo, Bunkyo-ku, Tokyo 113-0033, Japan;Graduate School of Education, The University of Tokyo, 7-3-1, Hongo, Bunkyo-ku, Tokyo 113-0033, Japan;Department of General Systems Studies, The University of Tokyo, 3-8-1, Komaba, Meguro-ku, Tokyo 153-8902, Japan

  • Venue:
  • Cognitive Systems Research
  • Year:
  • 2009

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Abstract

The goal of this study was to propose a framework to describe the analogical process in the context of creation. We conducted retrospective interviews with two contemporary artists in their forties using portfolios of their past works so that they could recall their creation processes in detail. We found that the artists often use analogical modification to produce new series of artwork. Analogical modification is a cognitive process used to generate a new target, in the context of creation, by changing values of a source to make differences during analogical mapping. We found three types of analogical modification, namely, subject modification, structure modification, and concept modification. Creative vision, which is formed through many years of creative activity and consists of long-term intentions or goals for creation, plays an important role in guiding the use of analogical modification. The process of artistic creation can be better understood using the framework of the interaction between activities in different time spans, such as analogical modification and creative vision.