Frankensteinian methods for evolutionary music composition
Musical networks
Music, Gestalt, and Computing - Studies in Cognitive and Systematic Musicology
Evolving Music Generation with SOM-Fitness Genetic Programming
Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing
Originality and diversity in the artificial evolution of melodies
Proceedings of the 13th annual conference on Genetic and evolutionary computation
A two-stage autonomous evolutionary music composer
EuroGP'06 Proceedings of the 2006 international conference on Applications of Evolutionary Computing
Open problems in evolutionary music and art
EC'05 Proceedings of the 3rd European conference on Applications of Evolutionary Computing
Toward user-directed evolution of sound synthesis parameters
EC'05 Proceedings of the 3rd European conference on Applications of Evolutionary Computing
The problem with evolutionary art is ...
EvoCOMNET'10 Proceedings of the 2010 international conference on Applications of Evolutionary Computation - Volume Part II
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Evolutionary algorithms need measures of how appropriate a solution is in order to make decisions. This is always a problem for evolving art as codifying aesthetics is a complex task. In this paper we consider the problem of evaluating melodies. The evaluation of melodies in evolutionary music is an open problem that has been tackled by many authors with interactive evaluation, fitness-free genetic algorithms and even neural networks. However, all approaches based on formal analysis of databases or formal music theory have been partial, which is something to be expected for such a complex problem. Thus, we present many metrics that can be used for evaluating melodies and their practical results when applied to a Bossa Nova database of melodies coded by the authors. Although the paper is meant to extend the cycle of possible ideas for evolutionary composers, we argue that there is still much to be developed in this field and each genre of music will always need specific measures of quality.