Sparse coding of harmonic vocalization in monkey auditory cortex

  • Authors:

  • Hiroki Terashima;Haruo Hosoya;Toshiki Tani;Noritaka Ichinohe;Masato Okada

  • Affiliations:

  • Department of Complexity Science and Engineering, The University of Tokyo, 701 Kibantou, 5-1-5 Kashiwanoha, Kashiwa, Chiba 277-8561, Japan and Japan Society for the Promotion of Science, 4-1-8 Hon ...;RIKEN Brain Science Institute, 2-1 Hirosawa, Wako, Saitama 351-0198, Japan and PRESTO, Japan Science and Technology Agency, 4-1-8 Honcho Kawaguchi, Saitama 332-0012, Japan;Department of Anatomical Science, Hirosaki University, 5 Zaifu-cho, Hirosaki, Aomori 036-8562, Japan;Department of Ultrastructural Research, National Institute of Neuroscience, National Center of Neurology and Psychiatry, 4-1-1 Ogawahigashi, Kodaira, Tokyo 187-8502, Japan;Department of Complexity Science and Engineering, The University of Tokyo, 701 Kibantou, 5-1-5 Kashiwanoha, Kashiwa, Chiba 277-8561, Japan and RIKEN Brain Science Institute, 2-1 Hirosawa, Wako, Sa ...

  • Venue:
  • Neurocomputing
  • Year:
  • 2013

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Abstract

One of the potential foundations for the perception of harmony is the neurons in the primary auditory cortex (A1) that specifically respond to harmonically related frequencies, whose underlying organizing principles are yet unclear. We hypothesize that such harmony-related responses result from adapting to natural harmonic sounds by using sparse coding, a computational model that originally related natural image statistics to the neural properties of the primary visual cortex (V1). Our previous work has shown that a set of harmonic responses found in A1 of marmoset monkeys can emerge by sparse coding of highly harmonic sounds; however, the work was only preliminary because the specific sounds we used were unfamiliar to monkeys. In the present study, we recorded voices of marmosets, and showed that the same model applied to the conspecific vocalizations can reproduce the harmony-related responses. This result more directly supports the hypothesis that A1 adapts to natural sounds, in particular voices comprising harmonic overtones, under the principle of sparse coding.