Fundamentals of speech recognition
Fundamentals of speech recognition
Is Pattern Recognition a Physical Science?
ICPR '00 Proceedings of the International Conference on Pattern Recognition - Volume 3
Processing of Musical Syntax Tonic versus Subdominant: An Event-related Potential Study
Journal of Cognitive Neuroscience
Robust Object Recognition with Cortex-Like Mechanisms
IEEE Transactions on Pattern Analysis and Machine Intelligence
Analytical features: a knowledge-based approach to audio feature generation
EURASIP Journal on Audio, Speech, and Music Processing
A comprehensive trainable error model for sung music queries
Journal of Artificial Intelligence Research
Computer Vision: Algorithms and Applications
Computer Vision: Algorithms and Applications
Automatic mood detection and tracking of music audio signals
IEEE Transactions on Audio, Speech, and Language Processing
The nature of affective priming in music and speech
Journal of Cognitive Neuroscience
Classification accuracy is not enough
Journal of Intelligent Information Systems
Classification accuracy is not enough
Journal of Intelligent Information Systems
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Despite one and a half decade of research and an impressive body of knowledge on how to represent and process musical audio signals, the discipline of Music Information Retrieval still does not enjoy broad recognition outside of computer science. In music cognition and neuroscience in particular, where MIR's contribution could be most needed, MIR technologies are scarcely ever utilized--when they're not simply brushed aside as irrelevant. This, we contend here, is the result of a series of misunderstandings between the two fields, about deeply different methodologies and assumptions that are not often made explicit. A collaboration between a MIR researcher and a music psychologist, this article attempts to clarify some of these assumptions, and offers some suggestions on how to adapt some of MIR's most emblematic signal processing paradigms, evaluation procedures and application scenarios to the new challenges brought forth by the natural sciences of music.