Affective computing
Non-obvious Performer Gestures in Instrumental Music
GW '99 Proceedings of the International Gesture Workshop on Gesture-Based Communication in Human-Computer Interaction
E-mic: extended mic-stand interface controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Improving Musical Expressiveness by Time-Varying Brightness Shaping
Computer Music Modeling and Retrieval. Sense of Sounds
Methods for effective sonification of clarinetists’ ancillary gestures
GW'09 Proceedings of the 8th international conference on Gesture in Embodied Communication and Human-Computer Interaction
Automatic detection of musicians' ancillary gestures based on video analysis
Expert Systems with Applications: An International Journal
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This article presents preliminary quantitative results from movement analysis of several clarinet performers with respect to nonobvious or ancillary gestures produced while playing a piece. The comparison of various performances of a piece by the same clarinetist shows a high consistency of movement patterns. Different clarinetists show different overall patterns, although clear similarities may be found, suggesting the existence of various levels of information in the resulting movement. The relationship of these non-obvious gestures to material/physiological, structural and in terpretative parameters is highlighted.