Sensing and mapping for interactive performance
Organised Sound
OpenSound Control: state of the art 2003
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
EoBody: a follow-up to AtoMIC Pro's technology
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Versatile sensor acquisition system utilizing network technology
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
The Wise Box: a multi-performer wireless sensor interface using WiFi and OSC
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Beyond 0-5V: expanding sensor integration architectures
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
A simple practical approach to a wireless data acquisition board
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Eobody2: a follow-up to Eobody's technology
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
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Research and musical creation with gestural-oriented interfaces have recently seen a renewal of interest and activity at Ircam [1][2]. In the course of several musical projects, undertaken by young composers attending the one-year Course in Composition and Computer Music or by guests artists, Ircam Education and Creation departments have proposed various solutions for gesture-controlled sound synthesis and processing. In this article, we describe the technical aspects of AtoMIC Pro, an Analog to MIDI converter proposed as a re-usable solution for digitizing several sensors in different contexts such as interactive sound installation or virtual instruments.The main direction of our researches, and of this one in particular, is to create tools that can be fully integrated into an artistic project as a real part of the composition and performance processes.