Daisyphone: the design and impact of a novel environment for remote group music improvisation
DIS '04 Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques
Audiopad: a tag-based interface for musical performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Tongue 'n' Groove: an ultrasound based music controller
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The Hyperbow controller: real-time dynamics measurement of violin performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Circular optical object locator
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Contexts of collaborative musical experiences
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Daisyphone: the design and impact of a novel environment for remote group music improvisation
DIS '04 Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques
Auracle: a voice-controlled, networked sound instrument
Organised Sound
Decay in collaborative music making
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Cooperative mechanisms for networked music
Future Generation Computer Systems
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We have seen many new and exciting developments in new interfaces for musical expression. In this paper we present the design of an interface for remote group music improvisation and composition - Daisyphone. The approach relies on players creating and editing short shared loops of music which are semi-synchronously updated. The interface emphasizes the looping nature of the music and is designed to be engaging and deployable on a wide range of interaction devices. Observations of the use of the tool with different levels of persistence of contribution are reported and discussed. Future developments centre around ways to string loops together into larger pieces (composition) and investigating suitable rates of decay to encourage more group improvisation.