Thevbow: an expressive musical controller haptic human-computer interface
Thevbow: an expressive musical controller haptic human-computer interface
Synthesized strings for string players
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Composing for Hyperbow: a collaboration between MIT and the Royal Academy of Music
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
The augmented violin project: research, composition and performance report
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
GHI project and "Cyber Kendang"
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
JamiOki-PureJoy: a game engine and instrument for electronically-mediated musical improvisation
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Preservation of interactive multimedia performances
International Journal of Metadata, Semantics and Ontologies
Une approche de l'instrument augmenté: le cas de la guitare électrique
IHM '07 Proceedings of the 19th International Conference of the Association Francophone d'Interaction Homme-Machine
3D motion data analysis and visualisation for technology-enhanced learning and heritage preservation
AIKED'09 Proceedings of the 8th WSEAS international conference on Artificial intelligence, knowledge engineering and data bases
The musical interface technology design space
Organised Sound
A novel musical synthesizer embedded with physical modeling sound synthesis algorithm
ICIC'11 Proceedings of the 7th international conference on Advanced Intelligent Computing
Implementation of high-performance sound synthesis engine for plucked-string instruments
ICIC'11 Proceedings of the 7th international conference on Advanced Intelligent Computing
Design space exploration in many-core processors for sound synthesis of plucked string instruments
Journal of Parallel and Distributed Computing
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This paper describes the concept, design, realization and evaluation of a radically augmented musical instrument named the Overtone Violin. The rationale behind the development of the instrument is to preserve the expressive elements of the expert violinist, while incorporating the added benefits of gestural controllers via embedded sensors. There have been many examples of idiosyncratic alternate controllers in electronic music, as well as quite a few hybrid controllers that typically use sensors to capture the motions of playing a traditional instrument. However the Overtone Violin crosses these boundaries by retaining the original violin techniques and sounds as well as extending/enhancing the instrument with new methods of expression that are not inherent to the conventional technique.