Communications of the ACM
Digital rights management for content distribution
ACSW Frontiers '03 Proceedings of the Australasian information security workshop conference on ACSW frontiers 2003 - Volume 21
How DRM-based content delivery systems disrupt expectations of "personal use"
Proceedings of the 3rd ACM workshop on Digital rights management
The impact of DRMs on personal use expectations and fair dealing rights
ACSW Frontiers '05 Proceedings of the 2005 Australasian workshop on Grid computing and e-research - Volume 44
Music sharing as a computer supported collaborative application
ECSCW'01 Proceedings of the seventh conference on European Conference on Computer Supported Cooperative Work
A cross-cultural study of mobile music: retrieval, management and consumption
OZCHI '06 Proceedings of the 18th Australia conference on Computer-Human Interaction: Design: Activities, Artefacts and Environments
The digital music box: using cultural and critical theory to inform design
CHI '07 Extended Abstracts on Human Factors in Computing Systems
Problem Analyses and Recommendations in DRM Security Policies
EuroISI '08 Proceedings of the 1st European Conference on Intelligence and Security Informatics
Proceedings of the 2012 iConference
Downloading vs purchase: music industry vs consumers
DRMTICS'05 Proceedings of the First international conference on Digital Rights Management: technologies, Issues, Challenges and Systems
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There is a mismatch between the law relating to fair use, personal use and copying; the central thrust of Digital Rights Management (DRM) and users' behavior relating to the listening and sharing of music. This paper reports on the different copyright regimes in the United States and Australia. It describes some of the current DRM systems. Against this background, the paper draws on a qualitative study to explore Australian users' experience of listening to and sharing music. A design for a good DRM has to take into account the schism between the copyright regimes and users' sharing behavior.