Guy E. Garnett
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On the Wires of Our Nerves: The Art of Electroacoustic Music
Some Ontological Remarks about Music Composition Processes
Computer Music Journal
On space, listening and interaction: Words on the streets are these and Still Life
Organised Sound
Live performance interaction for humans and machines in the early twenty-first century: one composer's aesthetics for composition and performance practice
New Communications Technology in the Context of Interactive Sound Art: an empirical analysis
Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance