Toward Machine Emotional Intelligence: Analysis of Affective Physiological State
IEEE Transactions on Pattern Analysis and Machine Intelligence - Graph Algorithms and Computer Vision
To feel or not to feel: the role of affect in human-computer interaction
International Journal of Human-Computer Studies - Application of affective computing in human—Computer interaction
Inside the "conductor's jacket": analysis, interpretation and musical synthesis of expressive gesture
Emotion recognition from physiological signals using wireless sensors for presence technologies
Cognition, Technology and Work
ChucK: a programming language for on-the-fly, real-time audio synthesis and multimedia
Proceedings of the 12th annual ACM international conference on Multimedia
Sensor Networks for Emergency Response: Challenges and Opportunities
IEEE Pervasive Computing
Multimodal interaction in music using the Electromyogram and relative position sensing
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Multi-user instruments: models, examples and promises
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Díamair: composing for choir and integral music controller
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
BioTools: A Biosignal Toolbox for Composers and Performers
Computer Music Modeling and Retrieval. Sense of Sounds
A framework for the evaluation of digital musical instruments
Computer Music Journal
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In this paper, we describe the networking of multiple Integral Music Controllers (IMCs) to enable an entirely new method for creating music by tapping into the composite gestures and emotions of not just one, but many performers. The concept and operation of an IMC is reviewed as well as its use in a network of IMC controllers. We then introduce a new technique of Integral Music Control by assessing the composite gesture(s) and emotion(s) of a group of performers through the use of a wireless mesh network. The Telemuse, an IMC designed precisely for this kind of performance, is described and its use in a new musical performance project under development by the authors is discussed.