Live coding in laptop performance
Organised Sound
On-the-fly programming: using code as an expressive musical instrument
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Learning advanced skills on new instruments
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
The pontydian performance: The performative layer
Organised Sound
Designing constraints: Composing and performing with digital musical systems
Computer Music Journal
Collaborative textual improvisation in a laptop ensemble
Computer Music Journal
Synchronous programming in audio processing: A lookup table oscillator case study
ACM Computing Surveys (CSUR)
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Live coding is almost the antithesis of immediate physical musicianship, and yet, has attracted the attentions of a number of computer-literate musicians, as well as the music-savvy programmers that might be more expected. It is within the context of live coding that I seek to explore the question of practising a contemporary digital musical instrument, which is often raised as an aside but more rarely carried out in research (though see [12]). At what stage of expertise are the members of the live coding movement, and what practice regimes might help them to find their true potential?