A computer participant in musical improvisation
Proceedings of the ACM SIGCHI Conference on Human factors in computing systems
BoB: an interactive improvisational music companion
AGENTS '00 Proceedings of the fourth international conference on Autonomous agents
Interactive Improvisational Music Companionship: A User-Modeling Approach
User Modeling and User-Adapted Interaction
A Hybrid Architectural Style for Distributed Parallel Processing of Generic Data Streams
Proceedings of the 26th International Conference on Software Engineering
Using Factor Oracles for Machine Improvisation
Soft Computing - A Fusion of Foundations, Methodologies and Applications
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic
Computer Music Journal
Robot-human interaction with an anthropomorphic percussionist
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
An architectural framework for interactive music systems
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
OMax brothers: a dynamic yopology of agents for improvization learning
Proceedings of the 1st ACM workshop on Audio and music computing multimedia
The Design of Everyday Things
Emergent formal structures of factor oracle-driven musical improvisations
MCM'11 Proceedings of the Third international conference on Mathematics and computation in music
Performer-centered visual feedback for human-machine improvisation
Computers in Entertainment (CIE) - Theoretical and Practical Computer Applications in Entertainment
Hi-index | 0.00 |
This paper describes the design of Mimi, a multi-modal interactive musical improvisation system that explores the potential and powerful impact of visual feedback in performer-machine interaction. Mimi is a performer-centric tool designed for use in performance and teaching. Its key and novel component is its visual interface, designed to provide the performer with instantaneous and continuous information on the state of the system. For human improvisation, in which context and planning are paramount, the relevant state of the system extends to the near future and recent past. Mimi's visual interface allows for a peculiar blend of raw reflex typically associated with improvisation, and preparation and timing more closely affiliated with score-based reading. Mimi is not only an effective improvisation partner, it has also proven itself to be an invaluable platform through which to interrogate the mental models necessary for successful improvisation.