Mapping performer parameters to synthesis engines
Organised Sound
The importance of parameter mapping in electronic instrument design
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
OpenSound Control: state of the art 2003
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
MnM: a Max/MSP mapping toolbox
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Towards a coherent terminology and model of instrument description and design
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
The T-Stick: from musical interface to musical instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Perceptual characterization of motion evoked by sounds for synthesis control purposes
ACM Transactions on Applied Perception (TAP)
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This paper describes the design and implementation of a framework designed to aid collaborative development of a digital musical instrument mapping layer. The goal was to create a system that allows mapping between controller and sound parameters without requiring a high level of technical knowledge, and which needs minimal manual intervention for tasks such as configuring the network and assigning identifiers to devices. Ease of implementation was also considered, to encourage future developers of devices to adopt a compatible protocol.System development included the design of a decentralized network for the management of peer-to-peer data connections using OpenSound Control. Example implementations were constructed using several different programming languages and environments. A graphical user interface for dynamically creating, modifying, and destroying mappings between control data streams and synthesis parameters is also presented.