Organised Sound
Multiple Media Interfaces for Music Therapy
IEEE MultiMedia
HyperPuja: a Tibetan Singing Bowl controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
The Pipe: explorations with breath control
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Playability evaluation of a virtual bowed string instrument
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Sonic City: the urban environment as a musical interface
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Designing, playing, and performing with a vision-based mouth interface
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
MidiGrid: past, present and future
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
The Electronic Sitar controller
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
PebbleBox and CrumbleBag: tactile interfaces for granular synthesis
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
The Squiggle: a digital musical instrument
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Synthesized strings for string players
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
StickMusic: using haptic feedback with a phase vocoder
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Experiments with virtual reality instruments
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Gyrotyre: a dynamic hand-held computer-music controller based on a spinning wheel
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Scrubber: an interface for friction-induced sounds
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Voice-controlled plucked bass guitar through two synthesis techniques
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
[hid] toolkit: a unified framework for instrument design
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Connecting strangers at a train station
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
ixi software: the interface as instrument
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
[hid] toolkit: a unified framework for instrument design
Proceedings of the 13th annual ACM international conference on Multimedia
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis
Computer Music Journal
CaMus: live music performance using camera phones and visual grid tracking
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
A VR interface for collaborative 3D audio performance
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Mapping with planning agents in the Max/MSP environment: the GO/Max language
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
CHI '07 Extended Abstracts on Human Factors in Computing Systems
The T-Stick: from musical interface to musical instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
The acoustic, the digital and the body: a survey on musical instruments
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Bowstroke database: a web-accessible archive of violin bowing data
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Mediated education in a creative arts context: research and practice at Whittier Elementary School
Proceedings of the 6th international conference on Interaction design and children
AudioCubes: a distributed cube tangible interface based on interaction range for sound design
Proceedings of the 2nd international conference on Tangible and embedded interaction
DrawSound: a drawing instrument for sound performance
Proceedings of the 2nd international conference on Tangible and embedded interaction
The sound of touch: physical manipulation of digital sound
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Proceedings of the 7th ACM conference on Designing interactive systems
Computer Music Modeling and Retrieval. Sense of Sounds
Transition of instruments in The SINE WAVE ORCHESTRA
Computers in Entertainment (CIE) - SPECIAL ISSUE: Media Arts (Part II)
Playing with the sound maker: do embodied metaphors help children learn?
IDC '08 Proceedings of the 7th international conference on Interaction design and children
Interacting with Computers
Mutable mapping: gradual re-routing of OSC control data as a form of artistic performance
Proceedings of the International Conference on Advances in Computer Enterntainment Technology
Gesture interaction for electronic music performance
HCI'07 Proceedings of the 12th international conference on Human-computer interaction: intelligent multimodal interaction environments
A practical approach towards an exploratory framework for physical modeling
Computer Music Journal
HAID'10 Proceedings of the 5th international conference on Haptic and audio interaction design
Seq1: an alaetoric music sequencer for the realtime creation of soundscapes
Proceedings of the 14th International Academic MindTrek Conference: Envisioning Future Media Environments
Computers in Entertainment (CIE) - Theoretical and Practical Computer Applications in Entertainment
Form and function: examples of music interface design
BCS '10 Proceedings of the 24th BCS Interaction Specialist Group Conference
'AIE-studio' - a pragmatist aesthetic approach for procedural sound design
Proceedings of the 8th Audio Mostly Conference
Playing vibrotactile music: A comparison between the Vibrochord and a piano keyboard
International Journal of Human-Computer Studies
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In this paper we challenge the assumption that an electronic instrument consists solely of an interface and a sound generator. We emphasise the importance of the mapping between input parameters and system parameters, and claim that this can define the very essence of an instrument.