Waypoint navigation with a vibrotactile waist belt
ACM Transactions on Applied Perception (TAP)
Principles for designing computer music controllers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
The importance of parameter mapping in electronic instrument design
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI
Computer Music Journal
Towards a model human cochlea: sensory substitution for crossmodal audio-tactile displays
GI '08 Proceedings of graphics interface 2008
Design of haptic interfaces for therapy
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Vibratory and Acoustical Factors in Multimodal Reproduction of Concert DVDs
HAID '09 Proceedings of the 4th International Conference on Haptic and Audio Interaction Design
Evaluation of live human-computer music-making: Quantitative and qualitative approaches
International Journal of Human-Computer Studies
Vibrotactile Display of Music on the Human Back
ACHI '10 Proceedings of the 2010 Third International Conference on Advances in Computer-Human Interactions
A framework for the evaluation of digital musical instruments
Computer Music Journal
| Hi-index | 0.00 |
A novel vibrotactile musical input device called the Vibrochord, which is designed to deliver patterns of vibration to the skin, not to the ear, through the use of a vibrotactile display called the Emoti-Chair, is evaluated using proposed evaluation frameworks. Findings show that the mixture of frameworks used in this study provided valuable insight into the design of this novel musical device. Results obtained through the implementation of a mixture of these frameworks show that the Vibrochord facilitated an increased accuracy rate over the traditional piano keyboard, when inexperienced vibrotactile musicians tried to repeat vibrotactile patterns or ''melodies''.