Identification of control parameters in an articulatory vocal tract model, with applications to the synthesis of singing
BeatCatch: visual and tactile rhythm box
Proceedings of the second Nordic conference on Human-computer interaction
Strategies for interaction in construction 3
Organised Sound
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Proceedings of the 12th annual ACM international conference on Multimedia
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
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NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
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NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
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NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
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NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
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NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
The convergence of alternate controllers and musical interfaces in interactive entertainment
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
User interface comparison for virtual drums
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
A comparison of sensor strategies for capturing percussive gestures
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis
Computer Music Journal
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Mapping strategies in DJ scratching
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Mary had a little scoreTable* or the reacTable* goes melodic
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
PLAY!: Sound Toys for Non-Musicians
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Computer Music Journal
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NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
The Thummer Mapping Project (ThuMP)
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Ten years of tablet musical interfaces at CNMAT
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
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NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
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NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
A look at the design and creation of a graphically controlled digital musical instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
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ACE '08 Proceedings of the 2008 International Conference on Advances in Computer Entertainment Technology
Gesture Control of Sound Spatialization for Live Musical Performance
Gesture-Based Human-Computer Interaction and Simulation
A run-time programmable simulator to enable multi-modal interaction with rigid-body systems
Interacting with Computers
The musical interface technology design space
Organised Sound
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TüISt (transformable über interface for stardom)
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TOUCHtr4ck: democratic collaborative music
Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction
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ACM SIGGRAPH 2011 Courses
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International Journal of Human-Computer Studies
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This paper will present observations on the design, artistic, and human factors of creating digital music controllers. Specific projects will be presented, and a set of design principles will be supported from those examples.