The computer music tutorial
Electronic music: new ways to play
IEEE Spectrum
Principles for designing computer music controllers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
Input devices for musical expression: borrowing tools from HCI
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The limitations of mapping as a structural descriptive in electronic instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Electronic and Experimental Music: Technology, Music, and Culture
Electronic and Experimental Music: Technology, Music, and Culture
Toward a generalized friction controller: from the bowed string to unusual musical instruments
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
A theory of modulated objects for new shamanic controller design
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Not hyper, not meta, not cyber but infra-instruments
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
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This paper explores compositional and notational approaches for working with controllers. The notational systems devised for the composition (dis)Appearances are discussed in depth in an attempt to formulate a new approach to composition using ensembles that navigates a performative space between reality and virtuality.