Computer Music Journal
Current directions in computer music research
Current directions in computer music research
VLSI models for sound synthesis
Current directions in computer music research
Asynchronous granular synthesis
Representations of musical signals
The computer music tutorial
A digital signal processing primer, with applications to digital audio and computer music
A digital signal processing primer, with applications to digital audio and computer music
The Jam-O-Drum interactive music system: a study in interaction design
DIS '00 Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques
Facing the music: a facial action controlled musical interface
CHI '01 Extended Abstracts on Human Factors in Computing Systems
Interpolated mappings for musical instruments
Organised Sound
Mapping performer parameters to synthesis engines
Organised Sound
Principles for designing computer music controllers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
Problems and prospects for intimate musical control of computers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
The MATRIX: a novel controller for musical expression
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
An interface for precise musical control
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Multimodal interaction in music using the Electromyogram and relative position sensing
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Tongue 'n' Groove: an ultrasound based music controller
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The Hyperbow controller: real-time dynamics measurement of violin performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Tooka: explorations of two person instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
MetaMuse: metaphors for expressive instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The limitations of mapping as a structural descriptive in electronic instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Bio-sensing systems and bio-feedback systems for interactive media arts
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Sonigraphical instruments: from FMOL to the reacTable
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Designing, playing, and performing with a vision-based mouth interface
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Head-tracking for gestural and continuous control of parameterized audio effects
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Sonic banana: a novel bend-sensor-based MIDI controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Evolving Tooka: from experiment to instrument
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Recycling music, answering back: toward an oral tradition of electronic music
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Digital instruments and players: part I --- efficiency and apprenticeship
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
PebbleBox and CrumbleBag: tactile interfaces for granular synthesis
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
On-the-fly programming: using code as an expressive musical instrument
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Realtime sampling system for the turntablist version 2: 16padjoystickcontroller
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
A history of Buchla's musical instruments
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Sonification of facial actions for musical expression
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
OROBORO: a collaborative controller with interpersonal haptic feedback
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems
Computer Music Journal
Towards a catalog and software library of mapping methods
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
GRASSP: gesturally-realized audio, speech and song performance
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
New Digital Musical Instruments: Control And Interaction Beyond the Keyboard (Computer Music and Digital Audio Series)
Problems and Prospects for Intimate Musical Control of Computers
Computer Music Journal
Making things talk
ISWC '08 Proceedings of the 2008 12th IEEE International Symposium on Wearable Computers
IEEE Transactions on Neural Networks
On the use of magnetic field disturbances as features for activity recognition with on body sensors
EuroSSC'10 Proceedings of the 5th European conference on Smart sensing and context
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
Interaction and music technology
INTERACT'11 Proceedings of the 13th IFIP TC 13 international conference on Human-computer interaction - Volume Part IV
SIG NIME: music, technology, and human-computer interaction
CHI '13 Extended Abstracts on Human Factors in Computing Systems
Proceedings of the 21st ACM international conference on Multimedia
| Hi-index | 0.00 |
Advances in digital audio technologies have led to computers playing a role in most music production and performance. Digital technologies offer unprecedented opportunities for creation and manipulation of sound, but the flexibility of these new technologies imply an often-confusing array of choices for instrument designers, composers, and performers.