Computer Music Journal
Real-time scheduling and computer accompaniment
Current directions in computer music research
Interactive Improvisational Music Companionship: A User-Modeling Approach
User Modeling and User-Adapted Interaction
On gender in new music interface technology
Organised Sound
Composing the digital rainstick
Proceedings of the 12th annual ACM international conference on Multimedia
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NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Introducing composed instruments, technical and musicological implications
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Intimate musical control of computers with a variety of controllers and gesture mapping metaphors
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Adaptive hyperinstruments: applying evolutionary techniques to sound synthesis and performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
HyperPuja: a Tibetan Singing Bowl controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Sonigraphical instruments: from FMOL to the reacTable
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Contexts of collaborative musical experiences
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
A survey of real-time MIDI performance
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Don't just play it, grow it!: breeding sound synthesis and performance mappings
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis
Computer Music Journal
JamSpace: a networked real-time collaborative music environment
CHI '06 Extended Abstracts on Human Factors in Computing Systems
A tactile closed-loop device for musical interaction
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
JamSpace: designing a collaborative networked music space for novices
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
A framework for immersive spatial audio performance
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
MIDI scrapyard challenge workshops
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
JamiOki-PureJoy: a game engine and instrument for electronically-mediated musical improvisation
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Control strategies for navigation of complex sonic spaces
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Mediated education in a creative arts context: research and practice at Whittier Elementary School
Proceedings of the 6th international conference on Interaction design and children
Encouraging witting participation and performance in digital live art
BCS-HCI '07 Proceedings of the 21st British HCI Group Annual Conference on People and Computers: HCI...but not as we know it - Volume 1
Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation
Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music
Creating new interfaces for musical expression: introduction to NIME
ACM SIGGRAPH 2009 Courses
Genophone: evolving sounds and integral performance parameter mappings
EvoWorkshops'03 Proceedings of the 2003 international conference on Applications of evolutionary computing
Free flight in parameter space: a dynamic mapping strategy for expressive free impro
Evo'08 Proceedings of the 2008 conference on Applications of evolutionary computing
DESIRE '10 Proceedings of the 1st DESIRE Network Conference on Creativity and Innovation in Design
A framework for the evaluation of digital musical instruments
Computer Music Journal
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
Advances in new interfaces for musical expression
SIGGRAPH Asia 2012 Courses
Creating new interfaces for musical expression
SIGGRAPH Asia 2013 Courses
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In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further describe applications of our technology to a variety of real musical performances and directions for future research.