'Le concert, c'est moi'

  • Authors:
  • Nicolas Makelberge

  • Affiliations:
  • Portuguese Catholic University, Porto, Portugal

  • Venue:
  • DESIRE '10 Proceedings of the 1st DESIRE Network Conference on Creativity and Innovation in Design
  • Year:
  • 2010

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Abstract

In this paper I elaborate on the common notion of "collaboration" within music. I do so by contrasting what it constituted historically in the context of the piano, to that of some new interfaces of musical expression (NIME) collaborative in particular. By doing so I hope to shine light on the success (or lack there of) of many of these projects -- and ultimately discuss some other realities of academia that might play an determinant role in these musical instruments success "beyond the lab".