Real Sound Synthesis for Interactive Applications
Real Sound Synthesis for Interactive Applications
Principles for designing computer music controllers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
Problems and prospects for intimate musical control of computers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
The vBow: development of a virtual violin bow haptic human-computer interface
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Multimodal interaction in music using the Electromyogram and relative position sensing
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The Hyperbow controller: real-time dynamics measurement of violin performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
The importance of parameter mapping in electronic instrument design
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Aobachi: a new interface for Japanese drumming
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Toward a generalized friction controller: from the bowed string to unusual musical instruments
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Scrubber: an interface for friction-induced sounds
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Precise control on compound curves
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Children of Grainger: leather instruments for Free Music
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Tubular bells: a physical and algorithmic model
IEEE Transactions on Audio, Speech, and Language Processing - Special issue on virtual analog audio Effects and musical instruments
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HyperPuja is a novel controller that closely mimicks the behavior of a Tibetan Singing Bowl rubbed with a "puja" stick. Our design hides the electronics from the performer to maintain the original look and feel of the instrument and the performance. This is achieved by using wireless technology to keep the stick un-tethered as well as burying the electronics inside the the core of the stick. The measured parameters closely resemble the input parameters of a related physical synthesis model allowing for convenient mapping of sensor parameters to synthesis input. The new controller allows for flexible choice of sound synthesis while fully maintaining the characteristics of the physical interaction of the original instrument.