Introducing composed instruments, technical and musicological implications

  • Authors:
  • Norbert Schnell;Marc Battier

  • Affiliations:
  • IRCAM, Paris, France;IRCAM, Paris, France

  • Venue:
  • NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
  • Year:
  • 2002

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Abstract

In this paper, we develop the concept of "composed instruments". We will look at this idea from two perspectives: the design of computer systems in the context of live performed music and musicological considerations. A historical context is developed. Examples will be drawn from recent compositions. Finally basic concepts from computer science will be examined for their relation ship to this concept.