Interactive music systems: machine listening and composing
Interactive music systems: machine listening and composing
The computer music tutorial
Human-computer interaction: input devices
ACM Computing Surveys (CSUR)
The limitations of mapping as a structural descriptive in electronic instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Sound feedback for powerful karate training
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Thermoscore: a new-type musical score with temperature sensation
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Rhythmism: a VJ performance system with maracas based devices
Proceedings of the international conference on Advances in computer entertainment technology
GHI project and "Cyber Kendang"
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Preservation of interactive multimedia performances
International Journal of Metadata, Semantics and Ontologies
Creating new interfaces for musical expression: introduction to NIME
ACM SIGGRAPH 2009 Courses
Multimedia visitor book using mobile phone
Proceedings of the International Conference on Advances in Computer Enterntainment Technology
Breath control of amusement rides
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
Advances in new interfaces for musical expression
SIGGRAPH Asia 2012 Courses
Creating new interfaces for musical expression
SIGGRAPH Asia 2013 Courses
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This is a report of research and some experimental applications of human-computer interaction in multi-media performing arts. The human performer and the computer systems perform computer graphic and computer music interactively in real-time. In general, many sensors are used for the interactive communication as interfaces, and the performer receives the output of the system via graphics, sounds and physical reactions of interfaces like musical instruments. I have produced many types of interfaces, not only with physical/electrical sensors but also with biological/physiological sensors. This paper is intended as an investigation of some special approaches: (1) 16-channel electromyogram sensor called "MiniBioMuse-III" and its application work called "BioCosmicStorm-II" performed in Paris, Kassel and Hamburg in 2001, (2) sensing/reacting with "breathing" in performing arts, (3) 8-channel electric-feedback system and its experiments of "body-hearing sounds" and "body-listening to music".