Evalution of spline and weighted average interpolation algorithms
Computers & Geosciences
There's more to interaction than meets the eye: some issues in manual input
Human-computer interaction
Planning and control
Integrality and separability of input devices
ACM Transactions on Computer-Human Interaction (TOCHI)
Four results on randomized incremental constructions
Computational Geometry: Theory and Applications
Self-organizing maps
Computational geometry: algorithms and applications
Computational geometry: algorithms and applications
Issues and techniques in touch-sensitive tablet input
SIGGRAPH '85 Proceedings of the 12th annual conference on Computer graphics and interactive techniques
A new point-location algorithm and its practical efficiency: comparison with existing algorithms
ACM Transactions on Graphics (TOG)
A two-dimensional interpolation function for irregularly-spaced data
ACM '68 Proceedings of the 1968 23rd ACM national conference
On the choice of mappings based on geometric properties
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
MnM: a Max/MSP mapping toolbox
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
The metasurface: applying natural neighbour interpolation to two-to-many mapping
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Towards a catalog and software library of mapping methods
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Creating new interfaces for musical expression: introduction to NIME
ACM SIGGRAPH 2009 Courses
Interactive ec control of synthesized timbre
Evolutionary Computation
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
Advances in new interfaces for musical expression
SIGGRAPH Asia 2012 Courses
Creating new interfaces for musical expression
SIGGRAPH Asia 2013 Courses
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Software-based musical instruments have controls for input, a sound synthesizer for output, and mappings connecting the two. An effective layout of controls considers how many degrees of freedom each has, as well as the overhead of selecting each one while performing. An isolated mapping from one control to one synthesis parameter needs an appropriate choice of proportional, integral or derivative control (the control's value, or that value's rate of change, drives the synthesis parameter's value, or that value's rate of change). Beyond this, a compound mapping cross-coupling several controls and synthesis parameters can surprisingly increase the performer's intuitive understanding of the instrument.