The Slidepipe: a timeline-based controller for real-time sample manipulation
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
The convergence of alternate controllers and musical interfaces in interactive entertainment
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
spinCycle: a color-tracking turntable sequencer
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
The chopping board: real-time sample editor
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Creating new interfaces for musical expression: introduction to NIME
ACM SIGGRAPH 2009 Courses
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
Advances in new interfaces for musical expression
SIGGRAPH Asia 2012 Courses
Creating new interfaces for musical expression
SIGGRAPH Asia 2013 Courses
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This essay outlines a framework for understanding new musical compositions and performances that utilize pre-existing sound recordings. In attempting to articulate why musicians are increasingly using sound recordings in their creative work, the author calls for new performance tools that enable the dynamic use of pre-recorded music.