Spectromorphology: explaining sound-shapes
Organised Sound
Principles for designing computer music controllers
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
The limitations of mapping as a structural descriptive in electronic instruments
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Indirect acquisition of instrumental gesture based on signal, physical and perceptual information
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
E-mic: extended mic-stand interface controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
An experimental set of hand gestures for expressive control of musical parameters in realtime
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
A component model of gestural primitive throughput
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Dual-use technologies for electronic music controllers: a personal perspective
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Problems and Prospects for Intimate Musical Control of Computers
Computer Music Journal
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Children of Grainger: leather instruments for Free Music
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
ParticleTecture: interactive granular soundspaces for architectural design
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Instrumental listening: Sonic gesture as design principle
Organised Sound
Leveraging behavioral models of sounding objects forgesture-controlled sound design
Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction
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New Interfaces for Musical Expression must speak to the nature of 'instrument', that is, it must always be understood that the interface binds to a complex musical phenomenon. This paper explores the nature of engagement, the point of performance that occurs when a human being engages with a computer based instrument. It asks questions about the nature of the instrument in computer music and offers some conceptual models for the mapping of gesture to sonic outcomes.