The importance of parameter mapping in electronic instrument design
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Ergonomic design of a portable musical instrument
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Aobachi: a new interface for Japanese drumming
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
ThumbTec: a new handheld input device
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Beat Boxing: expressive control for electronic music performance and musical applications
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Physical models and musical controllers: designing a novel electronic percussion instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
A force sensitive multi-touch array supporting multiple 2-D musical control structures
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
The Thummer Mapping Project (ThuMP)
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
HandSketch bi-manual controller: investigation on expressive control issues of an augmented tablet
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Perceived physicality in audio-enhanced force input
ICMI '11 Proceedings of the 13th international conference on multimodal interfaces
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The LapSlapper is an inexpensive and low-technology percussive instrument with a digital interface. In a tactile and embodied manner it allows enhanced control and promotes expressive creativity when operating with percussive elements in digital environments. By using piezo-microphones, mounted on a pair of gloves and connected with a stereo signal to a runtime-version of a Max/MSP patch, intuitive haptic properties are achieved with simple means. The LapSlapper improves the physical feeling of playing digital rhythm instruments but the concept holds furthermore the potential to promote exploration and innovation of new, digitally founded rhythmical structures and aesthetics.