Dafx: Digital Audio Effects
The importance of parameter mapping in electronic instrument design
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Microcontrollers in music HCI instruction: reflections on our switch to the Atmel AVR platform
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Head-tracking for gestural and continuous control of parameterized audio effects
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
A lightweight multi-agent musical beat tracking system
PRICAI'00 Proceedings of the 6th Pacific Rim international conference on Artificial intelligence
Yeah, ChucK it! ⇒ dynamic, controllable interface mapping
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Integrating hyperinstruments, musical robots & machine musicianship for North Indian classical music
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
GHI project and "Cyber Kendang"
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Advances in new interfaces for musical expression
ACM SIGGRAPH 2011 Courses
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This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati's (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditional North Indian instrument. The ESitar uses sensor technology to extract gestural information from a performer, deducing music information such as pitch, pluck timing, thumb pressure, and 3-axes of head tilt to trigger real-time sounds and graphics. It allows for a variety of traditional sitar technique as well as new performance methods. Graphical feedback allows for artistic display and pedagogical feedback. The ESitar uses a programmable Atmel microprocessor which outputs control messages via a standard MIDI jack.