Event formation and separation in musical sound
Event formation and separation in musical sound
A blackboard architecture for computational auditory scene analysis
Speech Communication
Computational Auditory Scene Analysis: Principles, Algorithms, and Applications
Computational Auditory Scene Analysis: Principles, Algorithms, and Applications
EURASIP Journal on Applied Signal Processing
Modeling perceptual similarity of audio signals for blind source separation evaluation
ICA'07 Proceedings of the 7th international conference on Independent component analysis and signal separation
Harmonic source separation using prestored spectra
ICA'06 Proceedings of the 6th international conference on Independent Component Analysis and Blind Signal Separation
Separating voices in polyphonic music: a contig mapping approach
CMMR'04 Proceedings of the Second international conference on Computer Music Modeling and Retrieval
Performance measurement in blind audio source separation
IEEE Transactions on Audio, Speech, and Language Processing
IEEE Transactions on Audio, Speech, and Language Processing
Separation of synchronous pitched notes by spectral filtering of harmonics
IEEE Transactions on Audio, Speech, and Language Processing
Musical sound separation based on binary time-frequency masking
EURASIP Journal on Audio, Speech, and Music Processing
Single channel music sound separation based on spectrogram decomposition and note classification
CMMR'10 Proceedings of the 7th international conference on Exploring music contents
Musical pitch estimation using a supervised single hidden layer feed-forward neural network
Expert Systems with Applications: An International Journal
Journal of Intelligent Information Systems
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Monaural musical sound separation has been extensively studied recently. An important problem in separation of pitched musical sounds is the estimation of time-frequency regions where harmonics overlap. In this paper, we propose a sinusoidal modeling-based separation system that can effectively resolve overlapping harmonics. Our strategy is based on the observations that harmonics of the same source have correlated amplitude envelopes and that the change in phase of a harmonic is related to the instrument's pitch. We use these two observations in a least squares estimation framework for separation of overlapping harmonics. The system directly distributes mixture energy for harmonics that are unobstructed by other sources. Quantitative evaluation of the proposed system is shown when ground truth pitch information is available, when rough pitch estimates are provided in the form of a MIDI score, and finally, when a multipitch tracking algorithm is used. We also introduce a technique to improve the accuracy of rough pitch estimates. Results show that the proposed system significantly outperforms related monaural musical sound separation systems.