Hamlet on the Holodeck: The Future of Narrative in Cyberspace
Hamlet on the Holodeck: The Future of Narrative in Cyberspace
Interactive drama, art and artificial intelligence
Interactive drama, art and artificial intelligence
Improvisation and Performance as Models for Interacting with Stories
ICIDS '08 Proceedings of the 1st Joint International Conference on Interactive Digital Storytelling: Interactive Storytelling
Narratology for interactive storytelling: a critical introduction
TIDSE'06 Proceedings of the Third international conference on Technologies for Interactive Digital Storytelling and Entertainment
Agency and the art of interactive digital storytelling
ICIDS'10 Proceedings of the Third joint conference on Interactive digital storytelling
The expressive space of IDS-as-Art
ICIDS'12 Proceedings of the 5th international conference on Interactive Storytelling
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Interactive work on new media platforms differs from familiar work on more traditional media, such as literature, theatre, cinema and television, in terms of their narrative-communication situation. Interactive works, unlike cinematic works, allow the viewer to participate to a different extent, involving a reciprocal communication process. In this paper I propose a bi-directional communication structure for interactive storytelling systems, based on narratology theory and communication film theory. I adapt existing narrative-communication models of conventional media, mainly those of Seymour Chatman and Vivian Sobchack, to suggest a detailed narrative-communication model for interactive storytelling systems, which would facilitate the formulation of a better definition of the various constituent elements of interactive storytelling communication, and the functions they fulfill.