An evolutionary approach to algorithmic composition
Organised Sound
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MMM '05 Proceedings of the 11th International Multimedia Modelling Conference
Multimodal interaction in music using the Electromyogram and relative position sensing
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Dual-use technologies for electronic music controllers: a personal perspective
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Tangible acoustic interfaces and their applications for the design of new musical instruments
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Pin & Play & Perform: a rearrangeable interface for musical composition and performance
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Interaction techniques for musical performance with tabletop tangible interfaces
Proceedings of the 2006 ACM SIGCHI international conference on Advances in computer entertainment technology
The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces
Proceedings of the 1st international conference on Tangible and embedded interaction
The drive to create: an investigation of tools to support disabled artists
Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition
Rhythmism: a VJ performance system with maracas based devices
Proceedings of the international conference on Advances in computer entertainment technology
The T-Stick: from musical interface to musical instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Xenakis: combining tangible interaction with probability-based musical composition
Proceedings of the 2nd international conference on Tangible and embedded interaction
Sound navigation in PHASE installation: producing music as performing a game using haptic feedback
ICVS'05 Proceedings of the Third international conference on Virtual Storytelling: using virtual reality technologies for storytelling
The big picture: Gone To Pieces
IEEE Spectrum
Computers in Entertainment (CIE) - Theoretical and Practical Computer Applications in Entertainment
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We present SPAWC (Signal Parser And Well-Formed Composer), a system for the generation of complex melodies, chords and sounds, based on a simple interaction of the performer with an input instrument, i.e., a modulator. Via modulator, the performer generates inputs which are manipulated by SPAWC and transformed into melodies, chords or complex sounds. Real/virtual instruments, as well as a set of (pre or live) recorded audio samples can be utilized to produce the final output. In this paper, we describe all the system components working inside SPAWC. The final output is dynamically produced based on the utilized carrier, i.e., the exploited real/virtual instrument or the set of audio samples loaded on SPAWC. A real installation of SPAWC has been developed by exploiting a theremin as the modulator. Real experiences have demonstrated that SPAWC can be utilized by artists to produce interactive music generation experiences. Concurrently, the system can be employed for entertainment and educational purposes. The software architecture of SPAWC is designed to allow the distribution of its software components over a network. This would make possible to dynamically exploit different carriers available on the net, and promote novel forms of artistic interactions among users over the Internet.