Computers and musical style
On the origins and evolution of music in virtual worlds
Creative evolutionary systems
Generation of Musical Sequences with Genetic Techniques
Computer Music Journal
Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks
IWINAC '07 Proceedings of the 2nd international work-conference on The Interplay Between Natural and Artificial Computation, Part I: Bio-inspired Modeling of Cognitive Tasks
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
ICIDS '08 Proceedings of the 1st Joint International Conference on Interactive Digital Storytelling: Interactive Storytelling
A GA-Based Control Strategy to Create Music with a Chaotic System
EvoWorkshops '09 Proceedings of the EvoWorkshops 2009 on Applications of Evolutionary Computing: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, EvoNUM, EvoSTOC, EvoTRANSLOG
Evolving Indirectly Represented Melodies with Corpus-Based Fitness Evaluation
EvoWorkshops '09 Proceedings of the EvoWorkshops 2009 on Applications of Evolutionary Computing: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, EvoNUM, EvoSTOC, EvoTRANSLOG
EuroGP'06 Proceedings of the 2006 international conference on Applications of Evolutionary Computing
Fitness in evolutionary art and music: what has been used and what could be used?
EvoMUSART'12 Proceedings of the First international conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
A survey of variation techniques for repetitive games music
Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound
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This paper discusses the motivation, design and construction of a generative music system, 'MusicBlox', (by the author) that utilises a domain specific, knowledge rich Genetic Algorithm (GA). The paper begins by describing the functionality and musical aims of the project, and goes on to detail the implementation of a GA as part of the project's compositional sub-system, including a discussion of the suitability of using a GA for compositional tasks. The paper concludes that the developed GA is able to produce musically successful results, but that significant additional work still needs to be undertaken before it achieves all the aims outlined.