Sensitivity to haptic-audio asynchrony
Proceedings of the 5th international conference on Multimodal interfaces
Real-time recognition of percussive sounds by a model-based method
EURASIP Journal on Advances in Signal Processing - Special issue on musical applications of real-time signal processing
Making gamers cry: mirror neurons and embodied interaction with game sound
Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction with Sound
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This paper discusses the concept of self-produced sound and its importance in understanding audio-haptic interaction. Self-produced sound is an important stimulus in understanding audio-haptic interaction because of the tight binding between the two modalities. This paper provides background on this type of sound, a brief review of the asynchrony and neurophysiology research that has addressed the cross-modality interaction, and examples of research into self-produced sound, including a unique but common instance: sound produced when consuming food.