A semi-automatic approach to home video editing
UIST '00 Proceedings of the 13th annual ACM symposium on User interface software and technology
Computational Media Aesthetics: Finding Meaning Beautiful
IEEE MultiMedia
Mining video editing rules in video streams
Proceedings of the tenth ACM international conference on Multimedia
A user attention model for video summarization
Proceedings of the tenth ACM international conference on Multimedia
Creating music videos using automatic media analysis
Proceedings of the tenth ACM international conference on Multimedia
IEEE MultiMedia
Weaving stories in digital media: when Spielberg makes home movies
MULTIMEDIA '03 Proceedings of the eleventh ACM international conference on Multimedia
AVE: automated home video editing
MULTIMEDIA '03 Proceedings of the eleventh ACM international conference on Multimedia
Modeling Intent for Home Video Repurposing
IEEE MultiMedia
Video editing based on object movement and camera motion
Proceedings of the working conference on Advanced visual interfaces
Key frame selection by motion analysis
ICASSP '96 Proceedings of the Acoustics, Speech, and Signal Processing, 1996. on Conference Proceedings., 1996 IEEE International Conference - Volume 02
Automated home video editing: a multi-core solution
Proceedings of the 15th international conference on Multimedia
Optimization-based automated home video editing system
IEEE Transactions on Circuits and Systems for Video Technology
A Multiple Visual Models Based Perceptive Analysis Framework for Multilevel Video Summarization
IEEE Transactions on Circuits and Systems for Video Technology
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In this paper, we present a content based single-shot video editing scheme. We follow the classic long take directing and editing schemes. This system automatically adjusts the projection velocity of raw video clips to enhance the aesthetic interest. We build up the mathematical model for projection rhythm manipulation based on film theories. The system segments interesting sub-shots and ordinary sub-shots within the single video clip. Different sub-shots are projected to different duration to maximize the video interest. The output video is rendered according to adjusted projection duration. Within this framework, we transform the screen rhythm and camera motion of a given single video shot. Motion interests of frames are re-distributed in projection duration modification and certain special projection patterns are introduced to enhance the aesthetic interest of original video. The user study shows that our scheme is very effective.