The prototype Cloris system: describing, retrieving and discussing videodisc stills and sequences
Information Processing and Management: an International Journal
A multimedia system for authoring motion pictures
MULTIMEDIA '96 Proceedings of the fourth ACM international conference on Multimedia
Computational Media Aesthetics: Finding Meaning Beautiful
IEEE MultiMedia
Detection and removal of lighting & shaking artifacts in home videos
Proceedings of the tenth ACM international conference on Multimedia
Application of computational media aesthetics methodology to extracting color semantics in film
Proceedings of the tenth ACM international conference on Multimedia
Pivot Vector Space Approach for Audio-Video Mixing
IEEE MultiMedia
IEEE MultiMedia
Hierarchical topical segmentation in instructional films based on cinematic expressive functions
MULTIMEDIA '03 Proceedings of the eleventh ACM international conference on Multimedia
Extracting information about emotions in films
MULTIMEDIA '03 Proceedings of the eleventh ACM international conference on Multimedia
Documenting life: videography and common sense
ICME '03 Proceedings of the 2003 International Conference on Multimedia and Expo - Volume 1
Semantic-event based analysis and segmentation of wedding ceremony videos
Proceedings of the international workshop on Workshop on multimedia information retrieval
Re-cinematography: Improving the camerawork of casual video
ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP)
Using cross-media correlation for scene detection in travel videos
Proceedings of the ACM International Conference on Image and Video Retrieval
Automated aesthetic enhancement of videos
Proceedings of the international conference on Multimedia
Proceedings of the international conference on Multimedia
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Amateur home videos rarely convey intent effectively, primarily because of the limitations of conventional consumer-quality video cameras and the difficulties of video postprocessing. The authors describe a general approach for video-intent delivery based on offline cinematography and automated continuity editing concepts and demonstrate its use with four basic emotions: cheer, serenity, gloom, and excitement.