ACM SIGCHI Bulletin
The role of context in perceptions of the aesthetics of web pages over time
International Journal of Human-Computer Studies
Introduction to this special section on beauty, goodness, and usability
Human-Computer Interaction
The interplay of beauty, goodness, and usability in interactive products
Human-Computer Interaction
Human-Computer Interaction
The Influence of Website Characteristics on a Consumer's Urge to Buy Impulsively
Information Systems Research
Quality of multimedia experience: past, present and future
MM '09 Proceedings of the 17th ACM international conference on Multimedia
Exposure effect on experience and visual perception in stereoscopic visual presentations
Proceedings of the International Conference on Advances in Computer Enterntainment Technology
Perceptual-based quality assessment for audio-visual services: A survey
Image Communication
Chroma space: affective colors in interactive 3d world
Proceedings of the international conference on Multimedia
Proceedings of the 2nd ACM international workshop on Crowdsourcing for multimedia
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Since the Dadaist refusal of the conventional standards in art, followed by Fluxus` rejection of art as a commodity, and recently, the popularity of Internet and technology in art, artworks have become difficult to recognize as artworks in themselves. Modern works of art are no longer readily only seen today, more often fully experienced. The processing of an aesthetic experience needs a new understanding in terms of the changing context of art and the experiential perspective of art recipients. In the multimedia arena, the valid assumption is that, evaluations of aesthetic experiences are mostly based on the accessible information on the surface of the medium. Several research groups in psychology question the singularity of exterior-level assumptions demonstrating that there are modulating factors that affect aesthetic experiences and one of these is implicit experience. In this paper, we review the significance of empirical aesthetics in psychology and from the artistic point of view combined with a technical and experiential perspective. We also discuss our approach of considering the implications of implicit experiences to the modelling of Quality of Experience (QoE) where this is used as a measurement of perception and aesthetic judgment of contemporary and modern works of art.