Auditory–Motor Interaction Revealed by fMRI: Speech, Music, and Working Memory in Area Spt
Journal of Cognitive Neuroscience
Involuntary Motor Activity in Pianists Evoked by Music Perception
Journal of Cognitive Neuroscience
Towards a gesture description interchange format
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Geometry and Effort in Gestural Renderings of Musical Sound
Gesture-Based Human-Computer Interaction and Simulation
Instrumental listening: Sonic gesture as design principle
Organised Sound
Chunking Sound for Musical Analysis
Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music
TüISt (transformable über interface for stardom)
Proceedings of the 23rd British HCI Group Annual Conference on People and Computers: Celebrating People and Technology
A multimodal input device for music authoring for children
MMM'08 Proceedings of the 14th international conference on Advances in multimedia modeling
Organised Sound
Towards a gesture-sound cross-modal analysis
GW'09 Proceedings of the 8th international conference on Gesture in Embodied Communication and Human-Computer Interaction
Effects of spectral features of sound on gesture type and timing
GW'11 Proceedings of the 9th international conference on Gesture and Sign Language in Human-Computer Interaction and Embodied Communication
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Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such “air playing” can be regarded as an expression of how people perceive and imagine music, and studying the relationships between these gestures and sound might contribute to our knowledge of how gestures help structure our experience of music.