Choosing effective colours for data visualization
Proceedings of the 7th conference on Visualization '96
ThemeRiver: Visualizing Thematic Changes in Large Document Collections
IEEE Transactions on Visualization and Computer Graphics
Parallel coordinates: a tool for visualizing multi-dimensional geometry
VIS '90 Proceedings of the 1st conference on Visualization '90
Artifacts of the Presence Era: Using Information Visualization to Create an Evocative Souvenir
INFOVIS '04 Proceedings of the IEEE Symposium on Information Visualization
IEEE Computer Graphics and Applications
Semiology of graphics
Stacked Graphs – Geometry & Aesthetics
IEEE Transactions on Visualization and Computer Graphics
Empirical Studies in Information Visualization: Seven Scenarios
IEEE Transactions on Visualization and Computer Graphics
Toward Auvers period: evolution of van Gogh's style
Computational Aesthetics'10 Proceedings of the Sixth international conference on Computational Aesthetics in Graphics, Visualization and Imaging
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The colour palette of painters over history has been of interest to many, including: art historians, archaeologists, and art lovers. Colour usage in art changes from culture to culture and season to season and is often thought of as reflecting or inspiring mood and ambience. We present ColourVis: a visualisation that supports exploration of colour usage in digital images. In particular, we use as a case study European art over the last six centuries. Visualising this relatively unexplored area offers insights into such questions as: How blue was Picasso's blue period?; How do realist painters' colour choices compare to that of surrealist painters; or How has the usage of colours changed over time? Through ColourVis we offer an exploration and comparison tool for individual paintings, groups of paintings and trends in colour usage over time.