Elements of information theory
Elements of information theory
An introduction to Kolmogorov complexity and its applications (2nd ed.)
An introduction to Kolmogorov complexity and its applications (2nd ed.)
SBIA '98 Proceedings of the 14th Brazilian Symposium on Artificial Intelligence: Advances in Artificial Intelligence
Informational Aesthetics Measures
IEEE Computer Graphics and Applications
Computational Aesthetics 2008: Categorizing art: Comparing humans and computers
Computers and Graphics
Studying aesthetics in photographic images using a computational approach
ECCV'06 Proceedings of the 9th European conference on Computer Vision - Volume Part III
IEEE Transactions on Information Theory
On the origins of the term "Computational aesthetics"
Computational Aesthetics'05 Proceedings of the First Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging
Defining computational aesthetics
Computational Aesthetics'05 Proceedings of the First Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging
Aesthetic appraisal of art - from eye movements to computers
Computational Aesthetics'09 Proceedings of the Fifth Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging
Informational dialogue with van Gogh's paintings
Computational Aesthetics'08 Proceedings of the Fourth Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging
ColourVis: exploring colour usage in paintings over time
Proceedings of the International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging
Special Section on CANS: ColourVis: Exploring colour in digital images
Computers and Graphics
Computer analysis for visual art style
SIGGRAPH Asia 2013 Technical Briefs
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In this paper, we analyze the evolution of van Gogh's style toward the Auvers final period using informational measures. We will try to answer the following questions: Was van Gogh exploring new ways toward changing his style? Can informational measures support the claim of critics on the evolution of his palette and composition? How "far" was van Gogh's last period from the previous ones, can we find out an evolutionary trend? We will extend here the measures defined in our previous work with novel measures taking into account spatial information and will present a visual tool to examine the palette. Our results confirm the usefulness of an approach rooted in information theory for the aesthetic study of the work of a painter.