The Jam-O-Drum interactive music system: a study in interaction design
DIS '00 Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques
The interactive dance club: avoiding chaos in a multi participant environment
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
Technology Matters: Questions to Live With
Technology Matters: Questions to Live With
DJs' perspectives on interaction and awareness in nightclubs
DIS '06 Proceedings of the 6th conference on Designing Interactive systems
An Interactive Music Environment for Large Groups with Giveaway Wireless Motion Sensors
Computer Music Journal
How potential users of music search and retrieval systems describe the semantic quality of music
Journal of the American Society for Information Science and Technology
MoCap for Artists: Workflow and Techniques for Motion Capture
MoCap for Artists: Workflow and Techniques for Motion Capture
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Nightclubs are powerhouses in western culture for social listening and dancing to music. Here, mostly digital, pre-composed tunes are selected, mixed and played by a person called Disc Jockey. In another digital arena, the internet, a revolution is changing how people connect to each other and making every one a potential vocal agent of an invisible network that is slowly extending beyond their homes. This change is helping improve accessibility, learning, democracy and science, but music--protected by culture of broadcast not participation--remains untouched. This paper explains a project called Interactive Music 3.0 that is revisiting the role of the DJ and experimenting with a multi-disciplinary approach to foster participative musical expression inside nightclubs.