GLHS: a generalized lightness, hue, and saturation color model
CVGIP: Graphical Models and Image Processing
Choosing effective colours for data visualization
Proceedings of the 7th conference on Visualization '96
Emotion & design: attractive things work better
interactions
The "Which Blair Project": a quick visual method for evaluating perceptual color maps
Proceedings of the conference on Visualization '01
Face-based luminance matching for perceptual colormap generation
Proceedings of the conference on Visualization '02
A rule-based tool for assisting colormap selection
VIS '95 Proceedings of the 6th conference on Visualization '95
Field Guide to Digital Color
An architecture for rule-based visualization
VIS '93 Proceedings of the 4th conference on Visualization '93
Information Visualization: Perception for Design
Information Visualization: Perception for Design
ACM SIGGRAPH 2006 Papers
Saliency-guided Enhancement for Volume Visualization
IEEE Transactions on Visualization and Computer Graphics
Color Design for Illustrative Visualization
IEEE Transactions on Visualization and Computer Graphics
IEEE Spectrum
Computational color harmony based on coloroid system
Computational Aesthetics'05 Proceedings of the First Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging
Generating color palettes using intuitive parameters
EuroVis'08 Proceedings of the 10th Joint Eurographics / IEEE - VGTC conference on Visualization
Virtual spotlighted advertising for tennis videos
Journal of Visual Communication and Image Representation
Importance Driven Automatic Color Design for Direct Volume Rendering
Computer Graphics Forum
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Color design forms a crucial part in visual aesthetics, and it has been shown that a visually aesthetic visualization will be looked at more carefully. An important role plays here the choice of a colormap that is composed of harmonic colors. This paper presents an interface that allows users to choose harmonic colors in volume visualization applications. In addition, it describes mechanisms by which non-harmonic colormaps can be converted to harmonic ones, but keeping lightness constant to preserve the original contrast relationships. Finally, we also show how harmonic colors can be used for the highlighting of important volume features.