Photographic tone reproduction for digital images
Proceedings of the 29th annual conference on Computer graphics and interactive techniques
Interactive digital photomontage
ACM SIGGRAPH 2004 Papers
Colorization using optimization
ACM SIGGRAPH 2004 Papers
Interactive local adjustment of tonal values
ACM SIGGRAPH 2006 Papers
ACM SIGGRAPH 2006 Papers
High Dynamic Range Imaging: Acquisition, Display, and Image-Based Lighting (The Morgan Kaufmann Series in Computer Graphics)
Improved seam carving for video retargeting
ACM SIGGRAPH 2008 papers
AppProp: all-pairs appearance-space edit propagation
ACM SIGGRAPH 2008 papers
Edge-preserving decompositions for multi-scale tone and detail manipulation
ACM SIGGRAPH 2008 papers
ACM SIGGRAPH 2008 papers
ECCV '08 Proceedings of the 10th European Conference on Computer Vision: Part IV
Edge-avoiding wavelets and their applications
ACM SIGGRAPH 2009 papers
Efficient affinity-based edit propagation using K-D tree
ACM SIGGRAPH Asia 2009 papers
The Frankencamera: an experimental platform for computational photography
ACM SIGGRAPH 2010 papers
Diffusion maps for edge-aware image editing
ACM SIGGRAPH Asia 2010 papers
WACV '11 Proceedings of the 2011 IEEE Workshop on Applications of Computer Vision (WACV)
Domain transform for edge-aware image and video processing
ACM SIGGRAPH 2011 papers
Decoupling algorithms from schedules for easy optimization of image processing pipelines
ACM Transactions on Graphics (TOG) - SIGGRAPH 2012 Conference Proceedings
Adaptive manifolds for real-time high-dimensional filtering
ACM Transactions on Graphics (TOG) - SIGGRAPH 2012 Conference Proceedings
Computer Graphics Forum
Manifold preserving edit propagation
ACM Transactions on Graphics (TOG) - Proceedings of ACM SIGGRAPH Asia 2012
EGSR'08 Proceedings of the Nineteenth Eurographics conference on Rendering
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Digital cameras with electronic viewfinders provide a relatively faithful depiction of the final image, providing a WYSIWYG experience. If, however, the image is created from a burst of differently captured images, or non-linear interactive edits significantly alter the final outcome, then the photographer cannot directly see the results, but instead must imagine the post-processing effects. This paper explores the notion of viewfinder editing, which makes the viewfinder more accurately reflect the final image the user intends to create. We allow the user to alter the local or global appearance (tone, color, saturation, or focus) via stroke-based input, and propagate the edits spatiotemporally. The system then delivers a real-time visualization of these modifications to the user, and drives the camera control routines to select better capture parameters.