Affective computing
Constructing table-of-content for videos
Multimedia Systems - Special section on video libraries
A Review of Audio Fingerprinting
Journal of VLSI Signal Processing Systems
Video abstraction: A systematic review and classification
ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP)
Classification of acoustic events using SVM-based clustering schemes
Pattern Recognition
Video summarisation: A conceptual framework and survey of the state of the art
Journal of Visual Communication and Image Representation
Affective content analysis by mid-level representation in multiple modalities
Proceedings of the First International Conference on Internet Multimedia Computing and Service
Affective image classification using features inspired by psychology and art theory
Proceedings of the international conference on Multimedia
A Regression Approach to Music Emotion Recognition
IEEE Transactions on Audio, Speech, and Language Processing
Affective video content representation and modeling
IEEE Transactions on Multimedia
Video summarization and scene detection by graph modeling
IEEE Transactions on Circuits and Systems for Video Technology
Affective understanding in film
IEEE Transactions on Circuits and Systems for Video Technology
A Framework for Scalable Summarization of Video
IEEE Transactions on Circuits and Systems for Video Technology
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This paper describes a novel system that uses music emotion and human face as features for automatic highlights extraction for drama video. These high-level audiovisual features are used because music evokes emotion response from the viewer and characters express emotion on their faces. In addition, a novel scheme is developed to improve the accuracy of music emotion recognition in drama video. Specifically, emotion recognition is performed not on the input audio signal but on the noise-free music available from the album of the incidental music, with the presence of incidental music detected by an audio fingerprint technique. Besides the conventional subjective evaluation, we propose a new metric for quantitative performance evaluation of highlights extraction. Experiments conducted over four different types of drama videos demonstrate that the proposed system significantly outperforms baseline ones in terms of both subjective and objective measures.