WordNet: a lexical database for English
Communications of the ACM
COLING '98 Proceedings of the 17th international conference on Computational linguistics - Volume 1
Avatars Of Story (Electronic Mediations)
Avatars Of Story (Electronic Mediations)
Yago: a core of semantic knowledge
Proceedings of the 16th international conference on World Wide Web
Goals in agent systems: a unifying framework
Proceedings of the 7th international joint conference on Autonomous agents and multiagent systems - Volume 2
Integrating YAGO into the Suggested Upper Merged Ontology
ICTAI '08 Proceedings of the 2008 20th IEEE International Conference on Tools with Artificial Intelligence - Volume 01
Revisiting Character-Based Affective Storytelling under a Narrative BDI Framework
ICIDS '08 Proceedings of the 1st Joint International Conference on Interactive Digital Storytelling: Interactive Storytelling
An architecture for directing value-driven artificial characters
Agents for games and simulations II
Linked Data
Commonsense Knowledge for the Collection of Ground Truth Data on Semantic Descriptors
ISM '12 Proceedings of the 2012 IEEE International Symposium on Multimedia
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A relevant issue in the annotation of digital heritage is the abstraction of concepts in a cross--media context. This is true in the case of dramatic media (e.g., screenplay, performance, TV series, video-game, feature film), where the performance has the same relevance of the text, and can be read as a text itself. The primary notion underpinning these two types of texts is the story, with its dramatic qualities shared among the different texts. Thus, following Ryan's definition of "avatar of story", each format can be seen as an avatar of this primary notion This paper presents a system for the collaborative annotation of the story elements in media heritage. Story elements are employed to describe the dramatic qualities (e.g., story agents, agents' goals, conflicts of agents), abstracting from the specific media in which they appear. The system consists of an ontology--based schema and a web platform for the annotation of the dramatic metadata on the digital heritage items (in textual or audiovisual form). The paper also describes a module for the visualization and exploration of such metadata, for cross--comparisons in drama studies. The system was tested on the comparison between the agent's intentions in the story representation and the incidents appearing in the timelines of the specific performances.