Recovering high dynamic range radiance maps from photographs
Proceedings of the 24th annual conference on Computer graphics and interactive techniques
High-Quality Texture Reconstruction from Multiple Scans
IEEE Transactions on Visualization and Computer Graphics
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VisTrails: visualization meets data management
Proceedings of the 2006 ACM SIGMOD international conference on Management of data
The Mental Canvas: A Tool for Conceptual Architectural Design and Analysis
PG '07 Proceedings of the 15th Pacific Conference on Computer Graphics and Applications
Virtual Inspector: A Flexible Visualizer for Dense 3D Scanned Models
IEEE Computer Graphics and Applications
The arrigo showcase reloaded—towards a sustainable link between 3D and semantics
Journal on Computing and Cultural Heritage (JOCCH)
Dynamic shading enhancement for reflectance transformation imaging
Journal on Computing and Cultural Heritage (JOCCH)
3D imaging spectroscopy for measuring hyperspectral patterns on solid objects
ACM Transactions on Graphics (TOG) - SIGGRAPH 2012 Conference Proceedings
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Art conservators now have access to a wide variety of digital imaging techniques to assist in examining and documenting physical works of art. Commonly used techniques include hyperspectral imaging, 3D scanning, and medical computed tomography imaging. However, viewing most of this digital image data frequently requires both specialized software, which is often associated with a particular type of acquisition device, and professional knowledge of and experience with each type of data. In addition, many of these software packages are focused on particular applications (such as medicine or remote sensing) and do not permit users to access and fully exploit all the information contained in the data. In this paper, we address two practical barriers to using high-tech digital data in art conservation. First, users must deal with a wide variety of interfaces specialized for applications besides conservation. We provide an open-source software tool with a single intuitive interface consistent with conservators' needs that handles various types of 2D and 3D image data and preserves user-generated metadata and annotations. Second, previous software has largely allowed visualizing a single type or only a few types of data. The software we present is designed and structured to accommodate multiple types of digital imaging data, including as yet unspecified or unimplemented formats, in an integrated environment. This allows conservators to access different forms of information and to view a variety of image types simultaneously.