Designing digital filters
Discrete-time signal processing
Discrete-time signal processing
Fourier-transform-based timbral manipulations
Current directions in computer music research
Representations of musical signals
Musical applications of digital synthesis and processing techniques: realization using csound and the phase vocoder
Computer Music: Synthesis, Composition, and Performance
Computer Music: Synthesis, Composition, and Performance
The role of speech synthesis in Requiem per una veu perduda
Organised Sound
Perceptually Smooth Timbral Guides by State-Space Analysis of Phase-Vocoder Parameters
Computer Music Journal
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This article discusses the theoretical principles governing the short time Fourier transform (STFT) and its musical applications, using the CARL phase vocoder and the Composers' Desktop Project (CDP) spectral transformations. The former was originally developed by Dolson (1986, 1991) and ported to personal computer systems by Atkins, Bentley, Henderson, Orton and Wishart (Atkins, Bentley, Endrich, Fischman, Malham, Orton and Wishart 1987, Wishart 1994a). The latter was developed by Wishart (1994b). When possible, theoretical matters are presented in a qualitative way, keeping the number and complexity of mathematical expressions within the essential requirements for those interested in musical applications. The latter are accompanied by sound examples, including excerpts from pieces by the author.